In keeping with international and national efforts to determine the provenance (the history of ownership) of works of art for the period 1933-1945 and to fulfil its obligations as an ethical member of the museum community, the NGA continues to investigate the whereabouts and ownership of every work of art in its collection that is presumed to have been in Europe between 1933 and 1945, the years of Nazi rule and occupation. These works of art are listed on this site.
All known provenance information is shown here, although links in the chain of ownership may be unclear or not yet fully documented. As provenance research continues on these works, this site will be updated to reflect new information. The provenance is listed chronologically, from the first known owner. The date of change of ownership is included when it is established. Images are added when available.
Works of art in the NGA's collection are published as widely as possible. Gaps in the provenance do not imply that any work was stolen, merely that it is not known for certain who held it in the years from 1933 to 1945. The National Gallery of Australia will continue to research the provenance of its works of art.
As a fundamental part of its mission and to fulfil its obligations as an ethical member of the museum community, the National Gallery of Australia researches, documents and publishes information about its collection. This includes ongoing research into the provenance, or history of ownership, of works of art. The Gallery appreciates any information on the history of the art in its collection.
Provenance research is intended to establish an unbroken chain of documented ownership from the time of the work's creation to the present. Even with unlimited time and resources, this goal is not easily achieved as there are numerous legitimate reasons for gaps in known provenance during any time period. It is extremely rare to find an unbroken chain of possession and incomplete provenance does not indicate that a work was stolen.
A provenance charts the changes in ownership of a work of art. It depends on documents such as wills, archives, receipts, auction sales and dealers' records. Otherwise, the ownership can be discovered by research such as tracking down publication in exhibition or auction catalogues, memoirs of the artist, or the recollections of art-lovers. It is extremely rare to find an unbroken chain of possession since, for example, secrecy may be a condition of sale.
Unbroken links between owners are indicated by the terms:
Other terms include:
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